SOLO EXHIBITIONS

2009 Elizabeth Harris Gallery, New York
2006 Galerie Hubert Winter, Vienna , Austria
2002 Galerie Hubert Winter, Vienna , Austria
2000 “Between Two Appearances,” Stark Gallery , New York
1998 Galerie von Bartha, Basel, Switzerland
1998 Galerie Hubert Winter, Vienna, Austria
1998 “Monotypes”, Galerie Mathias Kampl, Munich , Germany
1998 Lawing Gallery, Houston , TX
1995 "Endgame, Brain Coral," Lawing Gallery, Houston , TX
1995 Monotypes, Pamela Auchincloss Gallery , New York , NY}
1993 John Good Gallery , New York , NY
1992 The Chrysler Museum of Art , Norfolk , VA
1991 "The Lacuna of Certainty," The Long Beach Museum of Art , Long Beach , CA
1991 John Good Gallery , New York , NY
1991 Genovese Annex, Boston , MA
1990 John Good Gallery , New York , NY
1990 “Monotypes,” Pamela Auchincloss Gallery , New York , NY
1989 John Good Gallery , New York , NY
1987 Julian Pretto Gallery , New York , NY
1986 John Gibson Gallery , New York , NY
1985 John Gibson Gallery , New York , NY
1985 Plus-Kern Gallery, Brussels , Belgium
1985 Haags Gemeentemuseum, The Hague , Holland
1984 P.S. 1 Project Room, Long Island City , NY
1983 David Bellman Gallery, Toronto , Canada
1981 David Bellman Gallery, Toronto , Canada

SELECTED GROUP EXHIBITIONS

2009 The Viewing Room, Lesley Heller Gallery, New York
2008 The Winter Salon - Works on Paper, Björn Ressle Gallery, New York
2008 Dimensions in Nature: New Acquisitions, 2006-2008, San Diego Museum of Art, San Diego , CA organized by Betti-Sue Hertz and Erica Overskei
2008 Group Exhibition, vdavy sindikat space, Brooklyn New York
2008 Group Exhibition, Lesley Heller Gallery, New York
2007 Written on the Wind: The Flag Project, Rubin Museum , New York
2007 “Monumental Drawings,” Blue Star Contemporary Art Center , San Antonio , TX , curated by  Barbara MacAdam
2006 “Faith,” Real Art Ways , Hartford , Connecticut , curated  by James Hyde
2006 “The Independents,” curated by Judith Selkowitz, 499 park avenue, NY
2005 "The Mark of Minimalism: Gifts of Work on Paper from Sarah-Ann and Werner Kramarsky," Hood Museum of Art , Dartmouth College , NH
2005 "Fine Lines from the  collection of Wynn Kramarsky," Santa Barbara Contemporary Arts Forum, Santa Barbara , CA
2004 “The Invisible Thread: Buddhist Spirit in Contemporary Art,” Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, N.Y., curated by Robyn Brentano, Olivia Georgia, Roger Lipsky, and  Lilly Wei
2004 “Priority,” Art in General Gallery , N.Y. , benefit
2004 “Flag Project,” Rubin Museum of Himalayan Art, N.Y., curated by Arlene Shechet and Kiki Smith
2004 “Art for a Landmine Free World,” PaceWildenstein Gallery , N.Y. , curated by Kiki Smith
2002/03 "Drawings of Choice from a New York Collection," Krannert Art Museum , University of Illinois ,
2002/03 Champaign-Urbana , IL traveled to: The Arkansas Arts Center, Little Rock , AR ; Georgia Museum of Art, University of Georgia , Athens , GA ; Bowdoin College Museum of Art, Brunswick , ME ; Cincinnati Museum of Art, Cincinnati , OH .
2003 “Of Collage: The Artist as Collector, The John A. Schweitzer Collection,” Stewart Hall Art Gallery , Pointe-Claire , Quebec , Canada
2003 “Selections from the Permanent Collection,” Museum of Contemporary Art, North Miami , Florida
2002 “Made in Brooklyn,” S.Cono Pizzeria, Brooklyn , N.Y. , curated by Chris Martin and Nellie Appleby
2002 “Recent Acquisitions,” Museum of Fine Arts , Houston , Texas
2002 “Glow: Aspects of Light in Contemporary American Art,” curated by:  Francis Colpitt, Artpace, San Antonio, TX, traveled to: The University of Texas at San Antonio Art Gallery, The Jones Center for Contemporary Art, Austin, Texas, University of North Texas Art Gallery, Denton, Texas
2001 “Abstraction and Immanence,” Times Square Gallery, Hunter College, New York ; curated by Laura Sue Phillips and Vincent Longo
2001 “Fifteen Years of Painting,” Stark Gallery , N.Y.
2001 “Cinema Studies,” Lucas Schoormans Gallery , N.Y. , curated by Aruna D'Souza
2001 “Monochrome/Monochrome?” Florence Lynch Gallery , N.Y. , curated by Lilly Wei
2000 “Not Seeing,” Lawing Gallery, Houston , TX
2000 “trans-luzid,” Galerie Eugen Lendl, Graz, Austria; curated by Klaus Dieter Zimmer
2000 “Five Masterpieces” Galerie Von Bartha, Basel , Switzerland
2000 “A Decade of Collecting, Recent Acquisitions of Prints and Drawings,” Arthur M. Sackler Museum , Harvard University Art Museums , Cambridge , MA
1999 “Then & Now,” The Work Space, New York ; curated by Theresa Chong
1998 “A Common Thread,” Littlejohn Contemporary, New York , NY
1998 “Large Scale Drawings from the Collection of Wynn Kramarsky,”  Aldrich Museum of  Contemporary Art, Ridgefield , CT
1997/01 “Drawing is another kind of language, Recent American Drawings from a New York Private Collection,” Harvard University Art  Musueums, Cambridge, MA,  Kunstmuseum Winterthur,  Kunst-Museum Ahlen, Akademieder Kunste, Berlin, Fonds regional d'art contemporain de Picardie and Musee de Picardie, Amiens, Parrish Art Museum, Southampton, NY, Lyman Allyn Art Museum, New London, CT, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL, The Contemporary Museum, Honolulu, HI,  curated by James Cuno
1997 “Abstraction Index,” Condeso/Lawler Gallery, New York , NY
1997 “After the Fall: Aspects of Abstract Painting since 1970,”  Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, curated by Lilly Wei
1996 "Art Show," Ryall/Porter Architects, New York , NY , curated by Ted Porter
1996 "Colorfield to New Abstraction," Rose Art Museum , Brandeis   University , Waltham , MA
1996 "Formal Abstraction / New York ," Ruth Bachofner Gallery, Santa  Monica , CA , curated by Robert Kingston
1996 "In Black & White," Numark Gallery , Washington , DC
1996 "Silence," Lawing Gallery, Houston , TX
1996 “The Julian Pretto Collection,” Wadsworth Atheneum, Hartford ,  CN
1996 "Ronald Bladen, Nancy Haynes and Olivier Mosset," John Gibson Gallery , New York , NY
1995/96    "Printmaking in America--Collaborative Prints and Presses 1960- 1990," The Jane Voorhees Zimmerli Art Museum, Rutgers, New  Brunswick, NJ, Mary and Leigh Block Gallery, Northwestern  University, Evanston, IL, National Museum of American Art, Smithsonian Institute, Washington, DC
1995 "Alchemy," Proctor Art Center, Bard College, Annandale-on Hudson, NY, curated by Harvey Quaytman
1995 "Changing Perspectives," Contemporary Arts Museum , Houston , TX
1995 "Abstraction from Two Coasts," Lawing Gallery, Houston , TX
1995 "Four Generations," Woodbury University , Glendale , CA , curated by Jeremy Gilbert-Rolfe
1995 "Group Exhibition," Pamela Auchincloss Gallery , New York , NY
1995 "Julian's Show," Littlejohn Contemporary, New York , NY , curated by Julian Pretto
1995 " New York Abstract," Contemporary Arts Center , New Orleans , LA
1995 "Abstract Painting," Christinerose Gallery , New York , NY, curated by Pat Steir
1994 "Paint," The Rotunda Gallery, Brooklyn , NY
1994 "Contemporary Abstract Painting," Grant Gallery, Denver, CO,  Tavelli Gallery, Aspen , CO
1994 "Fall Group Exhibition," John Good Gallery , New York , NY
1994 "Visiting Artistry," Carpenter Center for the Visual Arts, Harvard University , Cambridge , MA
1994 "Prints of Darkness," Fogg Art Museum , Harvard University ,  Cambridge , MA
1994 "Some Like it Cool," Barbara Krakow Gallery, Boston , MA
1993 "Drawings From 55 Ferris Street," Jessica Berwind Gallery, Philadelphia , PA , curated by Frederieke S. Taylor
1993 "Summer Group Exhibition," John Good Gallery , New York , NY
1993 "Single Frame," John Good Gallery , New York , NY
1993 "Silent Echoes," Tennisport Arts, Long Island City, New York, curated by Christian Haub
1993 "Abstrategies,"  Dunedin Fine Arts and Cultural Center, Tampa, FL, curated by Genevieve  Linnehan
1992 "Singular and Plural: Recent Accessions, Drawings & Prints 1945-1991," The Museum of Fine Arts, Houston , TX , curated by Barry  Walker
1992 "Summer Becomes Eclectic," Mars Gallery, Tokyo , Japan
1992 "Contemporary Surfaces," Pamela Auchincloss Gallery , New York ,  NY, curated by Rick Ward
1992 " 55 Ferris Street Show," 55 Ferris Street , Brooklyn , NY , curated by Frederieke S. Taylor
1992 "Eighties," John Gibson Gallery , New York , NY
1992 "The Clearobscure," Genovese Graphics Annex, Boston , MA
1992 "Essential Gestures," Pamela Auchincloss Gallery , New York , NY
1992 "Nancy Haynes, Mike Metz, Thomas Nozkowski, and Joyce Robins,"  55 Mercer Gallery, New York , NY
1992 "Group Exhibition," Galleria Plurima, Milan , Italy
1991 "American Abstraction at the Addison," Addison Gallery of American Art, Phillips Academy , Andover , MA
1991 "La Metafisica Della Luce," John Good Gallery , New York , NY,  curated by Demetrio Paparoni
1991 "Synthesis," John Good Gallery , New York , NY, Tavelli Gallery,  Aspen , CO
1991 "Drawing Exhibition," Stark Gallery , New York , NY
1991 "Monotypes from the Garner Tullis Workshop," Thomas Segal Gallery, Boston , MA
1991 "Works on Paper," John Good Gallery , New York , NY
1991 "The Fetish of Knowledge," Real Art Ways, Hartford, CT, AC Project Room, New York, NY, curated by James Hyde
1991 "Monotypes," Galleria Plurima, Milan , Italy
1990 "Artists for Amnesty," Blum Helman Gallery , New York , NY
1990 "A Question of Paint," Hallwalls Contemporary Art Center , Buffalo , NY
1990 "Act-Up Auction for Action Aids Benefit Exhibition," Paula Cooper Gallery , New York , NY
1990 "Unique Works on Paper," Memorial Art Gallery, University of Rochester, Rochester, NY, curated by Werner H, Kramarsky
1990 "Contemporary Fresco," Stark Gallery , New York , NY
1990 "Provocative Abstraction:  New Painting New York ," Karl Bornstein Gallery, Santa Monica , CA
1990 "Group Exhibition," Stark Gallery , New York , NY
1990 "Homage to the Square," Nohra Haime , New York , NY
1989 "The Dark Sublime:  Art at the End of Our Century," Scott Alan Gallery ,  New York , NY
1989 "American Abstract Artists," 55 Mercer Gallery, New York , NY
1989 "Expressive Geometries," Thomas Segal Gallery, Boston , MA
1989 "Post-Modern Painters," John Good Gallery , New York , NY
1989 "Fundamental Abstraction," Haines Gallery, San Francisco , CA
1989 "Methods of Abstraction," Gallery Urban, New York , NY
1989 "The Mirror in which Two are Seen as One," Jersey City Museum ,  Jersey City , NJ
1989 "Nonrepresentation:  The Show of the Essay,"  Anne Plumb Gallery ,  New York , NY, curated by Jeremy Gilbert-Rolfe
1989 "Abstraction and Image:  Drawing Within," Leubsdorf Gallery, Hunter College , New York , NY
1989 "Slate," E.L. Stark Gallery , New York , NY
1988/89 "New York Now," Esbo Museum of Art, Finland & Norrkopings Konstmuseum,Goteborgs Museum, Sunsvalls Museum, Sodertalje  Konsthall, Sweden
1988/89 "The Presence of Abstraction," University Art Museum, Santa Barbara,CA; Block Art Gallery, Northwestern University, Chicago, IL; Desaisset Museum, Santa Clara, CA, curated by Phyllis Plous
1988 "Real Abstract," John Good Gallery , New York , NY
1988 "The Gold Show," Genovese Graphics, Boston , MA
1988 "Nancy Haynes, Donald Judd, Carole Seborovski," John Good  Gallery , New York , NY
1988 "Out of Order," Anne Plumb Gallery , New York , NY, curated by  Christian Haub
1988 "Formal," The Dart Gallery, Chicago , IL
1988 "The New Generation," Elaine Benson Gallery , Bridgehampton , NY , curated by Werner H. Kramarsky
1988 "Black in the Light," Genovese Graphics, Boston , MA
1988 "Group Exhibition," Plus-Kern Gallery, Brussels , Belgium
1987 "Lieu," Project D'Exposition, Liege , Belgium
1987 "Black," Eric Siegeltuch Gallery , New York , NY
1987 "Rigor," John Good Gallery , New York , NY curated by Stephen Westfall
1987 "Abstract Painting," Asher-Faure Gallery, Los Angeles , CA
1987 “Plus-Kern '69-'86,” Museum van Hedendaagse Kunst,  Ghent , Belgium
1987 "American Abstract Artists," New York Cultural Center, New York , NY
1987 "Group Exhibition," John Gibson Gallery , New York , NY
1986 "Plus-Kern Gallery:  Ten Years," Vereniging Museum , Hedenaagse Kunst, Ghent , Belgium
1986 "Geometry Now," Craig Cornelius Gallery , New York , NY, curated by  Ruth Kaufmann
1986 "Group Exhibition," Angles Gallery, Los Angeles , CA
1986 "Group Exhibition," Kingsboro Community College , New York , NY,  curated by Lilly Wei
1985 "Sculpture Center Group Exhibition," Ben Shahn Gallery, William Patterson College , New Jersey
1985 "Abstract Issues," Oscarsson Hood Gallery , New York , NY, curated by Steven Henry Madoff
1985 "Group Exhibition," The Sculpture Center , New York , NY
1983 Benefit, A.I.R. Gallery , New York , NY
1983 "Group Exhibition," Jourdan Arpelle Gallery , New York , NY
1983 "Artists Choose Artists," CDS Gallery , New York , NY
1982 "Crucifix Show," Barbara Gladstone Gallery , New York , NY Benefit, A.I.R. Gallery , New York , NY
1982 "The First Ten Years of Collecting," The Chase Manhattan Bank, New York , The High Museum of Art , Atlanta , GA
1982 "Recent Acquisitions," Haags Gemeentsmuseum, The Hague ,  Holland
1981 Benefit, A.I.R. Gallery , New York , NY
1981 "Group Exhibition," Julian Pretto, Weehawken , New Jersey
1981 "Gallery Artists," David Bellman Gallery, Toronto , Canada
1981 "Heresies," Grey Art Gallery , New York University , New York , NY
1981 "June Fever," Susan Caldwell Gallery , New York , NY
1980 "Inaugural Exhibition," David Bellman Gallery, Toronto , Canada
1980 "In the Spirit of Constructivism," Janus Gallery, Los Angeles , CA
1980 "Group Exhibition," Susan Caldwell Gallery , New York , NY
1978 “Group Exhibition,” The Hundred Dollar Gallery, New York, NY, curated  by Poppy Johnson

SELECTED BIBLIOGRAPHY (incomplete)

2009 Muller, Stephan, "exhibition Reviews," Art in America. June/July
2009 Ayer, Robert, "Reviews: New York", ARTnews, May, p112
2009 Johnson, Ken, "Art in Review", The New York Times, March 6, C28
2004 “Art for a Landmine Free World,” Silent Auction, PaceWildenstein, October 2004, illustration
2002 Alfred MacAdam, “Nancy Haynes – Illusion and Absence -  Paintings: exhibition catalogue, Galerie Hubert Winter, May – June
2001 Art Omni International, “Francis J. Greenburger Awards/2001,” Lilly Wei on Nancy Haynes, illustration
2000 Wei, Lilly, “Nancy Haynes at Stark Gallery,” Artnews, June
2000 McDonough, Tom, “Nancy Haynes at Stark Gallery,” Art in America , October
1999 Ebert, Hitrud, “Schone ote Spreache,” Made in USA , Freitag 12, March
1999 MacAdam, Barbara, “Something to Glow On,” Artnews, Summer
1999 Weidle, Barbara, “Letter from Barbara,” Artnet.com, Summer
1998 Jeremy Gilbert-Rolfe, “Endspace: From a real to an absolute – Nancy Haynes' paintings 1974 – 1998,” Edition Fondation Leschot, Bern , Switzerland
1997  Petry, Michael. Art & Design – “A Thing of Beauty is... “, Profile  No. 54, page 13, illustration
1997 Worth, Alexi. “After the Fall - Aspects of Abstract Painting since 1970,” Artnews, October.
1997 “After the Fall - Aspects of Abstract Painting since 1970,” exhibition catalogue, Newhouse Center  of Contemporary Art, Snug Harbor  Cultural Center, Staten Island, NY, curated by  Lilly Wei, illustration
1996 Castle, Frederick, Ted. “Ronald Bladen, Nancy Haynes and Olivier Mosset,” Review,
1996 AprFrank, Peter. ArtScene, April.
1996 Gilbert-Rolfe, Jeremy. Art & Design . “Cabbages,  Raspberries and Video's Thin Brightness, -
1996 Painting in the Age of Artificial Intelligence,” Profile No. 48 (May/June), pages 14-23, illustration
1996 Protzman, Ferdinand, “Minimalists with Maximum Skill,” The Washington Post, June  8.
1995 Gilbert-Rolfe , Jeremy.  “IIII Generations,” exhibition catalogue, Woodbury University Art Gallery , Burbank , illustration
1995 Lew Thomas. “ New York Abstract,” Contemporary Arts Center . exhibition catalogue, New Orleans , illustration
1995 Yau, John. “Out of the Cul de Sac and into the Fire,”  exhibition catalogue for  Abstraction from Two  Coasts,  Lawing Gallery,  March, illustration
1994 MacAdam, Barbara. “Nancy Haynes,”  Artnews, January, Page 160
1994 Wilson Lloyd, Ann. “Nancy Haynes,” Art in America , May
1993 Arts & Antiques, Openings. October, Page 24, illustration
1993 Tema Celeste, “ Nancy Haynes,” Winter, Number 39
1993 Welish, Marjorie. “A Literature of Silence,” exhibition catalog for the John Good Gallery, September
1992 Aporetical Incident. Tema Celeste, April - May,  illustration 
1992 Barnes, Curt. “Travels Along the Dialectic:  Hit-and-Run Observations on Interdimensionality,” College Art Association
1992 Carrier, David. “Afterlight: Exhibition Abstract Painting in the Era of Its Belatedness,” Arts, March 
1992 Clark, Trinkett  “Parameters:  Nancy Haynes,” exhibition publication,  The Chrysler Museum, Norfolk , VA , April - June
1992 Handy, Ellen. “Nancy Haynes:  New York in Review,” Arts, January, Page 75
1992 McGreevy, Linda. “Opposing Views,” Port Folio, Page 27
1992 “Abstraction as,” illustration,  Tema Celeste
1992 Pardee, Hearne. “Nancy Haynes,” Artnews, January, Page 129, illustration
1992 Taylor, Frederieke.  “ 55 Ferris Street ,” exhibition catalog,  May, New York , NY
1992 Welish, Marjorie. “Abstraction, Advocacy of,” Tema Celeste January - March, Page 94-95
1991 Art Journal, Spring, Volume 50,  Number 1, Page 30, illustration
1991 Litterfield, Kinney. “Filling the Primal Paradoxes ,” Press-Telegram, Long Beach ,  Sunday, Decembe 8, Page J6, illustration
1991 Reynolds, Jock. “American Abstraction At The Addison,” Exhibition Catalog for the Addison Gallery of American Art, Phillips Academy, Page 64, illustration
1990 Brenson, Michael. “Nancy Haynes,” The New York Times, May 18
1990 Carrier, David. “Extending the Language of Abstraction,”  Art International, Autumn, Page 61
1990 Enders, Alexandra. “Space Shapers:  Contemporary Artists Structure  Their Past and Document the Present,” Art & Antiques, May,  Page 51, illustration
1990 New Observations, No. 73, January - February, Page 17, illustration
1989 Baker, Kenneth. “Abstract Jestures,”  Artforum, , September, Page 134-38, illustration
1989 Baker, Kenneth. San Francisco Chronicle,  June 24
1989 Fine, Amy and Collins, Bradley Jr.” Nancy Haynes at John Good,” Art in America , March, Page 147, illustration
1989 Galligan, Gregory. “Rescripting The Sublime ,” Art International, Summer, Pages 56-58, illustration
1989 Gilbert-Rolfe,Jeremy. The Current State of Nonrepresentation, Vision Arts Quarterly,  Spring, Pages  3-7, illustration
1989 Gilbert-Rolfe, Jeremy. “Nancy Haynes,” April
1989 Smith, Roberta. “The East Village 's Art Galleries are Alive in SoHo ,” The New York Times, January 27, Page 19
1989 Zimmer, William. “The Poetic and the Visual,” The New York Times,  April 2, Page 22
1989 Zimmer, William, “Nancy Haynes,” Artnews
1988 “A Debate on Abstraction,” catalog for Leubsdorf Art Gallery , Hunter  College, New York, NY, December 
1988 Braff, Phillis. “New Generation Shows Its Colors,”  The New York Times, May 22, Page 26
1988 Cyphers, Peggy. “Nancy Haynes,”Arts,  September, Pages 101-102, illustration
1988 “Formal,” catalog for Dart Gallery, Chicago , IL , November
1988 Gilbert-Rolfe,Jeremy. “Nonrepresentation in 1988:  Meaning-Production Beyond the 
1988 Scope of the  Pious,” Arts,  May, Page 33,  illustration
1988 “ New York Now,” Catalog for Norrkopings Konstmuseum , Sweden ,  November
1988 Ramael, Greet. Knack, review,  Belgium , January 27
1988 Spector, Nancy. “Rigor,” Artscribe, January - February, Pages 68-69
1987 Van Den Abeele, Lieven. De Standaard, review, Belgium , January 23
1987 Wei, Lilly. “Talking Abstract:  Part Two,” Art in America ,  December, , Pages 118-119
1986 Raynor, Vivian. “Geometry Now,”  The New York Times,  October 3
1986 Silverthorne ,Jeanne. “Nancy Haynes,” Artforum, review, November
1985 Austin, Charles. NYB, January, illustration
1985 Bell , Jane. Artnews, September
1985 Bool, Flip. Museumjounal,  ( The Hague , Holland )
1985 Brenson ,Michael. “Nancy Haynes,” The New York Times, January 18
1985 Minne, Florent. De Standaard, Brussels , Belgium , May 6
1985 Peters, Philip. De Tijd, ( The Hague , Holland ), April 26
1985 Pulchri (museum publication), Haags Gemeentemuseum, March
1985 VanSanten, Ingrid. Het Binnenhut,  The Hague , Holland , March 30
1985 Watkins, Eileen. Star Ledger, New Jersey . April 14
1985 Westfall, Stephen. “Nancy Haynes at John Gibson,” Art in America , November
1985 Zimmer, William. The New York Times, April 2
1984 “1984 Winter,” Catalog for P.S. 1, January, illustration
1984 Saxon, Erik. “Appearances,” No. 10, Winter Issue, illustration
1983 Brooks, Valerie F. Arts Extra, WBAI-FM Radio, June 24
1983 Flam,Jack. Artists Choose Artists,  June
1983 Glueck, Grace. The New York Times, December 10
1983 Mays, John Bentley  The Globe and the Mail, January 14
1983 Mays, John Bentley. The Globe and the Mail, February 26
1983 Pulchri, Haags.  Gemeentemuseum, The Hague , Holland , January
1983 Russell, John. The New York Times, June 10

AWARDS

1995 Pollock- Krasner Foundation
1990 National Endowment for the Arts
1987 New York Foundation for the Arts
1987 National Endowment for the Arts

TEACHING AND VISITING ARTIST

2000 Visiting Lecturer, Princeton University , Princeton , NJ
2000 Visiting Artist, Kent State University , Kent , OH
2000 Visiting Artist, Ohio State University , Columbus , OH
1995 Visiting Artist, Ringling School of Art and Design, Sarasota , FL
1994 Visiting Artist, Carpenter Center for the Visual Arts, Harvard University , Cambridge , MA
1992 Lecturer, The Carpenter Center , Harvard University , Cambridge , MA
1986-89 Adjunct Lecturer, Hunter College , New York , NY
1988/89 Saltzman Visiting Artists Lecture Series, Brandeis University , Waltham , MA

SELECTED BOOKS

Hyde, James. “Faith,” Real Art Ways , Hartford , CN (2005)
“Blasser Schimmer/A Pale Gleam,” (Monstudio Collection Catalogue 2002), illustration, page 266
Accame, Giovanni Maria, “Abstract Figures/Figure astratte,” (published by Campisano Editore Srl 2001), illustrations pg.156, 157, 251
Welish, Marjorie, “Signifying ART,” (Cambridge University Press 1999).
Pamela Lee, Christine Mehring, James Cuno, Dieter Schwartz, “Drawing is another kind of language:
Recent American Drawings from a New York Private Collection,” (Harvard University Art Museums, Cambridge, MA, 1997)
Trudy V. Hansen, David Mickenberg, Joann Moser & Barry Walker, “Printmaking in America , “
(Harry Abrams, Incorporated in association with Mary & Leigh Block Gallery, Northwestern University 1995)
Jeremy Gilbert-Rolfe,  “Beyond Piety:  Critical Essays on the Visual Arts, 1986-1993,”  (Cambridge University Press 1995).
Charles A. Riley, II, “Color Codes:  Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music and Psychology,” (University Press of New England 1995).
Charles A. Riley, II, “The Saints of Modern Art : The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy,” (University Press of New England, 1998)

PUBLIC COLLECTIONS

The Metropolitan Museum of Art , New York , NY
The Museum of Modern Art , New York , NY
The Whitney Museum of American Art, New York , NY
The Brooklyn Museum , Brooklyn , NY
The Hood Museum , Dartmouth , NH
The Addison Gallery of American Art, Phillips Academy , Andover , MA
The Denver Art Museum, Denver, CO
Haags Gemeentemuseum, The Hague , Holland
The National Gallery of Art , Washington , D.C.
The Museum of Fine Arts , Houston , TX
The Ackland Museum , Chapel Hill , North Carolina
The Chrysler Museum of Art , Norfolk , VA
The Rose Art Museum , Brandeis University , Waltham , MA
The Fogg Art Museum , Harvard University , Cambridge , MA
Wadsworth Atheneum, Hartford , CN
The Grunwald Center for the Graphic Arts, UCLA, Los Angeles , CA
The Albertina Museum , Vienna , Austria
University Art Museum , University of California , Santa Barbara , CA
The Arkansas Art Center , Little Rock , Arkansas
Yale Museum of Art , New Haven , CT
The San Diego Museum of Art , San Diego , CA
The Davis Museum and Cultural Center, Wellesley College , Wellesley , MA
The Pollock Gallery, Southern Methodist University , Dallas , TX
The UCLA Hammer Museum , Los Angeles , CA
The Baltimore Museum of Art , Baltimore , MD
The Birmingham Museum of Art , Birmingham , AL